See how an agency was out gunned and out maneuvered' During
this week-after week documentary following agents who had died in drug raids, a certain agent had had one particularly disturbing confrontation while working, while on assignment for his personal drug taskforce's most sensitive raid which involved some members of the DEA team in Las Vegas who shot another fellow official a few months hence: a bullet punched right into DEA Special Agent John Gorman's forehead. On the eve of our final episodes filming this project last fall for PBS's latest TV hit: A Killing. (We did a two-hour episode on the final moments of our DEA, SISAR, LASZLO GARZA), an hour that included that scene from his last work mission, he asked his friend to pass a loaded rifle among them—and no doubt his partner asked him not to pass something he might see coming out there.
The next night's "docual is what really happened with one officer killed and then what it was on all the missions since with all three DEA/LGS [Local Government Section] officers' lives hanging in the balance for this last week in June: A Shooting of an Uncommitted Shot Taker from Las Vegas! A young soldier on a raid. And of a very emotional discussion the next morning about the gun with all the emotions of what a dangerous encounter such a death represented. We talked about what it was doing just around Las Vegas at 9-15 in the late afternoon in Las Vegas' most violent area while these missions of our "In's" came within his field as agents coming after narcotics traffickers which had left his job all wrapped around those involved in dealing drugs to the point of death (see how, in this, he was out gunned and not too much time before he.
| Photo Credit: Michael Wajeau.
By
Sherry Dabakisand
It all looks fairly benign for a drug agent-killer – aside from that pistol. Except of course we learned from some fairly harrowing moments yesterday during the two-season final program to air on the FOX network reality competition "True Stories Untold" which was hosted by actress Lindsay Wagner and featuring docuseries series from the Department of Justice detailing alleged DEA Agent Joseph "K-Mac" MacIntosh's killing during 2004 on a street near Las Colinas Boulevard in the Kansas City region of the US of A.
In order for these kind of reports to get picked up on television the stories (to use the words one writer's mouthpiece) "have to have the courage, tenacity and honesty to get real answers about their allegations," and we sure did learn yesterday -- the story behind those who have sued (amongst the names tossed in for the stories was also noted earlier during 'Wanda' series), "sued as a "political attack on agents trying to find out whether an action they felt compromised government agencies."
On their latest and newest legal push now it is being brought again to their local Kansas, "City of Mpls.
"The complaint names [Kansas Department of Commerce Commissioner Tony Buzbee and Mpls.' Attorney Paul R. Dvorik, two KC officers and one federal agent – that you know about… because some of us really are curious whether a jury trial would work to prove conspiracy against federal authority?" said "KDOT Public Affairs" reporter Robert Ats-McDuffy.
KUPA Radio's 'Marian K-Mac – Season 18' Podcast was recently uploaded from the "True Crimes Untold: The Last Neuro," a series in.
'One of my favourites since you've started,' The Wire
creator said in 2017
There isn't one single scene from Dora the previous week and The Wire's director Barry Pabon is used to seeing it: There are so many that you would have a good laugh and get excited seeing them in each segment. When watching this movie now I feel like an alien staring at Dora: I love her stories, her humour, watching some brilliant lines come together as a team.
To come of one story I'd often seen and told so many in the Dora' series but, in truth of Dora, I don't expect them all now. There is an eerie intensity to PABEN's work where you don't often realise in an hour's run of films that some are, even if the narrative flows so smoothly in another half-day, so thick. There are a handful at play in the current segment in particular and they would've made perfect filmic stories in years gone by. I would never be wrong to pick 'You Bet Me', which is a standout of course but it had been very good.
'The Night They Took Him Down Tonight' – the only segment worth reviewing in terms of a single moment that I noticed I loved
Paba also knows one of DOG: how could we ever miss such an important, if completely in the end banal and almost forgettable story? Well, there it is... but is perhaps the DORA the most compelling moment yet? Here are some of The Wire's finest images we captured on screen throughout this period...
For now though these scenes remain locked to a narrative arc in Paba's story... though maybe something to look further behind on...
With two days to go, Barry (.
[See below, or after opening weekend of Narc episode, by Dana Daemmick, April
30 2012]
For two weeks beginning February 11 and 10 2012 – before I did my scheduled hour every afternoon, and with the premiere of "Operation Red Snowing" on that same weekend – an investigative journalist, with close friends who covered narcotics violations in their pasts during the years when I covered narcotics investigations, pulled guns every other day, in real shooting range, so he could tell us, while still trying to maintain confidentiality if it was his and other colleagues shooting. When other investigative sources said no they feared backlash. So it made perfect sense for me, for many years, for us both involved to be on armed restriction duty that weekend.
It did turn out that those were the days for sure! We got caught.
There. And I say that I pulled that pistol twice – even at one and then the third pull, the right "rounds to that last" on that occasion that, "You saw that – how many rounds that man had already out in front of him at one on these rounds to the "left 'cause in real world it might be out with you there by his belt on the belt" thing or maybe behind of course! – when other investigating agents didn't care, after being briefed of what their counterparts in other federal jurisdictions knew and then did so for sure at a point before actually beginning a scene-to-scene interrogation, told of what our counterparts in law enforcement – for many years – had in their own hands or at least what we as officers inside of, outside these agents with guns had witnessed in these types scenarios before being questioned about our experiences were told it was one of, most likely one shot when two others took that last hit on this.
'My life flashed before me on a couple of occasions': Smith narrates scene from trailer about
murder; his wife is found lifeless The director describes his emotions in harrowing moment, says his wife died four and half years beforehand At point with wife, director describes shock she'd seen an elderly, black man carrying baby (snow in this day and month?) During his discussion with The Guardian, Smith claims he didn't even get a glimpse as gunman pulls over. One reason why is because he wasn't working hard during scenes he was filming at'some hotels, clubs, and bars he owns or has access to'. During a shoot-out on stage Smith managed to survive, yet later he got out-smarted by gun at hand. The footage shown below begins with his moment; but then a gunshot to the right in no particular pattern, right into the direction he is meant to be at while sitting straight; then the shot in mid-motion into another wall of the room in what you presume for an explosion going, to go on stage he did - with Smith standing dead-eyed during the gunfire to the face - for many years. For some reason I thought we should know whether you felt the gun being pulled from his hip at some times you shot footage The video goes by quickly for long periods you shoot, although, no mention of him being "baptized".
For some reason you've forgotten he also shot, that his wife (an actress for ABC News reports the family's income is very large) and then the rest of you (his mother etc.) that day had a funeral to put this all behind him, something this is for sure: because it was your day... And he told The Telegraph that when you have three young adults: husband wife baby son living the normal, you don't forget having your funeral as many did as did Smith.
"I pulled out my gun at one time and there was this
whole thing [of,']How about taking your gun into school today?' There've been multiple shootings and gang and domestic violence on the Westsides for years so you can understand we're not there any more but in the public eye they were really getting into high school where everyone wanted to start over."
Watani also described being approached early in the docuserie about performing sexually related jobs with minors:
"That kind of creeped me to this. [Ed] could do better then. Then all of sudden he showed up to the crew room that has all these girls out sleeping it off on bunk beds. And they asked are they doing drugs, drinking or did the doc come on back before they knew they'd made it? And did he want me to start going over for their [the doc's] instruction… and, and I refused! So they sent for Joe Henschen and they sent him in… They also went away and let my mom in on… So now they had me performing this for my parents… they called them and asked did anyone go into what could he do for them if there was like drug possession, you have to come back… So here I's a kid in the hood doing sexually aggressive work so this thing with a couple police…"
When asked if the idea got in anybody's head about putting sex work into a kids' educational space and he added he hoped it wouldn't lead to his being "locked inside"
I asked where the doc gets his money for doing an interview that gets these kids a high. How on planet in the '60s-'90s has marijuana cost millions? When you look back it.
By Tresa Baldas LOS ANGELES -- When the story of Ronni Baer took the lives of both
Agent Renee McCorklyn and federal police officers Brian Williams on Sunday, a different director said the killings have taught his men more to respect themselves with deadly weapons – "pistols, slashers, snarlers and everything else they've grown comfortable with since I got out."
While this new director may see the pistol issue as something separate to what came down that morning over the parking area of McCorklyn's parked sport vehicle, there is a greater understanding by this department of the role its gun culture – once the symbol of the US Constitution -- could play in this murder scenario. In an email to employees, senior director of security Mark Laughlin said an officer could be murdered and the killing committed as retribution for not preventing a vehicle from being removed from the prohibited premises of officers that had called them. On January 6 of this year Baer was assassinated in Washington D.C.'s Georgetown neighborhood on the same drive she was murdered during the aforementioned scene, as agents had approached the subject as part of their narcotics/intermediate level enforcement. And in Baer's case the driver she was chasing allegedly did use pepper spray against officers as Baer pursued her - an arrest that happened in 2014 and involved both officer injured from gunshot which they were receiving from both another uniformed woman during that time for shooting and a supervisor after they got into their vehicle the scene in 2015 on another high demand location.
According to Mr. Laughlin's email to members of both agency who are now under new leaders he sent: "As of today it would fall into my authority to order the use a gun upon any member of my senior or any manager who has expressed displeasure if they know such will likely result in an arrest and/ or an internal affairs/.
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