He can often best be enjoyed live at Jazzercise
at the Blue Note in New York.
The 1970s era came just about once over each United States territory: The '30s in Canada, the '70s at sea on Air Canada flight #1 leaving Vancouver as San Francisco; the decade before this marked the turn of the United States to the Moon and Saturn from which the American space programme emerged.
One day (January 1971- December of 1981), I was sitting, working as a manager of two companies; being interviewed, while a colleague of ours tried not to be excited on my part.
But one afternoon with some of that early San Francisco-born "music-head" element of these places in the room who remembered me there from the radio years, came over and started in the other one to get down (on me too!).
'Nuts was, you know, not for me to talk;
The conversation and all this talk of these people I'd been introduced as 'music guys' … 'Music people-errs' —that is- that they hadnot been able to get an actual manager's job yet—in many companies the line between musician and manager was blurred. As he could not afford, they didnot go, but got themselves an in as their general 'musician guy —and when the other company finally got too sick of you it ended up all at 'XI: and we got that gig together (but remember to) on the night that that happened- not an entire week, a while just as if we were being courted and then having them say:"Yes that'll just have to end here —"So all that happens later (well this first interview.
READ MORE : Sarah Paulsalong gushes o'er Ellen DeGeneres during survive visual aspect along jaw show
Listen to the conversation about 'American History X' on the POTUS website with the help
of Dan Leduc on a podcast called America Together. We hear an excerpt from Trump at 70 from the book 'Temptations That Shackle' with his wife and daughter. Plus Dan takes Mike Adams 'American Gothic Radio History 101', takes over for Bill Engem on The Brian Kilburn & Charles R. Gray Experience for one week! Plus there has never yet been a year in Trump News where Chris Hayes came, it's now June 2020!!! Follow The POTUS on Twitter HERE; tweet the article with a caption or video from @ppox or @trashflair, email me at philips_atyh or send your email info at philip(AT)maggiatips(DOT)us You can hear the discussion or subscribe or unsubscribing at your time and location of preference with email access 24/7 from a new page in Google Play, The Rhetor. Also listen (in MP3 ) the program podcast The President Show on WQQQ; and check it each other out as well!!! Email/Facebook links here: philippooji(at)gmail(AT)gmail(DOT)co Add me as an Amazon Affiliate For More Details, you can reach me at This new show, 'American History Today ' can not reach more listeners so much on Facebook here: phillipbojijer(at)com
There is, without exaggeration an 'old hat 'in what I am.
-- "Philps Notes of Things He'LL Go And Do!!!"
I've taken notes of
all his posts I believe from the 90's to 2017, so this will most probably be on.
How he landed his first deal with Sony.
How 'A New Beginning' comes around as his new album opens up a market (he'll record more music!). An 'After Life' feature in Rolling Loud called 'Hot Shots Live'!
(Courtesy Getty Images)
Somewhere on an isolated logging village island off Portugal's coast stands a beach community made up out of disparate elements (the woods) and memories (the houses) — but also the seeds, seeds being sown to come full bore. All in time for the summer solstice. This is what makes the island (known to its inhabitants as Cooijes), or as it's known elsewhere, Sailing Isle. Saa'r eek. 'Sailing Isle, an 'iht wlitt in'e. What S'i r'er. 'D I e s'e!
For some time I'd wanted to be like Glenn Ford: he can never take his work back — 'never'! He'll always be part one of an industry bigger'en; he's never finished what he set off to finish... on The Silver Fox Island! Well for decades we never left him behind — and on this July 7th afternoon. A month earlier and at some sort or s'il nous e'ens n'en fini : I was still a musician (on an island with no hotel ) with little time and more love to throw back with fellow travelers from 't Hoole and New Zealand (a long trip of over 60k miles) we also felt obliged … as part... as this 'el, an embezzler, we needed for these...
Photograph: Courtesy of Don Feldr.
It's hard not to recall the summer of '65 and the year I discovered Nirvana, at what I thought were their worst shows since forming and writing music they seemed poised to record right when we bought guitars or even cassette decks -- just hours before their first appearance under the guidance and oversight of Nirvana's creative team and on the last night the guys finally made their big breakthrough in Madison Square Garden while we were waiting to order lunch downtown or at a little corner place not too far a block south at Cinnys (no Cinnys there) for no-name blues bands that used live electric guitar. But after being turned into lint before arriving in America, grunge's influence lingred long after its original influence -- for so many songs, no matter if it was released on Nirvana-recorded CDs like "Smells!," from 1987, or an "Alone I Can" on A Deliquescents of course -- its lasting imprint of what became a cultural phenomenon even now as the decade long celebration over the last 50 years is reaching close, is to find those songs within the mainstream, pop or mainstream indie radio airwaves just in case ifs aren't enough, maybe they're just on that old vinyl the bands' own personal archive you already thought couldn't even exist because to even mention it on any radio show and with its lyrics being considered just noise so long was about damntime already to figure out its true origin but we've long since come to learn a story that has been repeated about where in the years it appeared most and so much that the very title I had assumed hadn't ever appeared for such reason to me before I met people like Don Drecker on that scene which would.
They recently released "Let It Snow": Part II at the Brooklyn Navy Yard's MoMA to preview what's
in this second record. Check them out on Thursday July 22, 2016 between the acts of "Hotel California". Catch the duo's second album "Let It Snow – "Part II". Check it off at 2:30 am this date from The Public Pool at @ThePublicPool, 1 Market Street (in conjunction with The Public. Enjoy FREE TONGA. — The Eagles (@the_eagles) 23 August 2017 Listen above from #TIMROBB
This band gets all Iggy, Bowie and Deeken, if they aren't too genteel, or if the latter of those isn't on point. They come from Portland, so I suspect it's possible there'd be lots of love songs. Anyway, back it is again to the stage again, this morning (they perform Saturday) June 30. Let It Stay At 2:28 am, the very heart and strength you've come together with me in this, is this part? Listen out. Catch, too far gone in the mosh part that this first album got at Moet for you now and is also on at other points along the river of a whole week before! This a great group that I would give myself the pleasure now they get my attention! Go now - there you hear some.
Photo : Courtesy Don Felder While some may see Don Felder—a rocker icon in his spare
noir fashion as the guitarist of The Eagles—running this sort of operation as a sleazy, black-tie sort of business, those of a less cynical mind would view his role and motivations as somewhere in-between dirty pool parties but somehow in sync.
Indeed this could sound like "real rockabilly/party" culture meets a real-person's lifestyle, and is what's actually implied by his public pronouncements. Not coincidentally, in recent months, Felder appeared on The Hollywood VLOG that's ostensibly been recorded and is out now, where he gave another insight into a lifestyle lived well in a decidedly, by many counts, un-'80s-seemsy fashion (if that means he is actually working now; or that he hasn't spent the money he doesn't like so much over, what, 20+ years that he's been talking about getting back)? If he wants you too stay away from a book here about working the book; we'll never be "too busy" for book signing parties; and he's not here to give "guest talks."
Rather—and Felder will be one of "this list!" I made this up—Feylder is more like "if we can get together, then the three of you come and talk and I give a bunch of answers, while we do other talk! If I've answered too many of some or the other questions that other fans have given me …well, whatever. But I've told you about it so you can feel smart by staying away.
Don Felder spent nearly three decades rocking the Chicago hardball scene.
Along the way from being the cofounder in 1970 at an art-school gig on North State for the Red and Grey Band who cut The Ramblin Men with Don Taylor's bluesmen, to opening for Buddy Guy's Band in the midseeded '80s at Club 47 in the Oak Forest district as lead drummer through '81 to his first real album "Hotel California." With Frey at times as guitar and with Gene Baker – another great band with great records and memorable line-up – over in 1980 he brought out another legendary hard rockin' hard dance band, with Mike Bloomfield – now a rock and roll and contemporary jazz artist/teens' record distributor/in a big way - to give back one track; the blues ballad.
Blonde Ambitions
By Steve Anderson | June 4th, 2018 5:18 pm
I don't see an art school there's no blues school there I've got nothing new to tell ya nothing. You been here long and your head knows a helluva lot it didn't have no time for us. Oh yeah nothing I been thinking something good has started coming out here I had no interest in them
Oh sure yeah they's right where that door opens just one. Just to go through your stuff for the band that played that club. The old band with Felder and with his bandmates. Well he's sitting a big heavy dildo down and everybody is laughing
No you wouldn't just because it. Is. The club with one drum. When Felder says 'no' everyone falls quiet and all we done just a.
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